Trace Adkins Concert in 2006
Trace adkins concert review review: Mama, don't let your babies grow up to try to be rock stars.
Trace Adkins and Toby Keith at the Ask-Gary Amphitheatre with photos Concert review: Mama, don't let your babies grow up to try to be rock stars.
Trace Adkins and Toby Keith at the Queen slot review Amphitheatre with photos "" legendary California pop band sang in their cynical 1967 hit single of the same name.
The song, a sentiment no doubt aimed at the oodles of unworthy bands trying to scratch out a chance at success and "making it" still resonates today.
The quest for rock star status has had an intoxicating effect on scads of up and comers with big dreams and stars in their eyes.
But it's not only those within the genre that fantasize about this.
A new creation no more than watered-down pop music that features the occasional, faint hint of a steel guitar way, way off in the background.
Put plainly and simply, the highest-grossing, most popular and successful country music acts today are living vicariously as the recognized rock stars trace adkins concert review this day and age.
The sheer size and magnitude of each artists' stage gear was downright staggering; no doubt subscribing to the "bigger trace adkins concert review better" credo, both of these towering men came equipped trace adkins concert review enough wattage check this out equipment to accommodate six bands.
No, the world of country music is no longer a down-home, humble one; it's morphed into a glitzy, showy extravaganza of gimmicks and gloss.
And these two men are two of the leading purveyors of this mentality.
Normally, I'd report on how unfortunate and misguided this type of amalgamation is.
I'd weep for the bastardization that now passes as "country music" while sadly throwing some on the hi-fi and pouring myself a tall cold one to drown my sorrows in.
But I'm obviously in the narrow margin -- the 18,000 hollering, screaming, elated fans in attendance who sang every word of both Adkins' and Keith's catalog all night long don't give a shit about Merle Haggard and Conway Twitty.
I have to come to grips with the fact that these showboating buffoons are the new breed -- they've taken the place of the showboating buffoons that I grew up loving: Elton John, Kiss and Keith Moon.
These country boys are the new rock stars.
Innocuous throwaways like Adkins' "Chrome" and "Swing" have become concert staples that throw his fans into hysterics while never quick fire cafe reviews a word to sing along to.
Add to this the videos for the songs that accompanied their performances on the jumbo screens on either side of the stage as well as behind it.
These videos are full of sexual innuendos, graphic double entendre source suggestive images.
These videos make Warrant's cheesy 1980s hair metal classic video, "Cherry Pie," seem G-rated by comparison.
And there are no shortage of pole dancers in Trace Adkins' videos, apparently.
Adkins is a giant in stature; he's got to be 6'8" and he seems baffled on whether to more closely emulate the cool Southern swagger of Skynyrd frontman Ronnie Van Zant or the swiveling hip action of female magnet heartthrob Tom Jones.
His uncertainty certainly didn't phase his mostly female admirers.
Truth be told, Adkins is a top-grossing act and currently holds the number one slot on the Billboard Hot 100 with his happens. lotr online game review Seldom album, so trace adkins concert review a pretty strong draw in his own right.
And for his closing number, Trace Adkins chose to cover Foreigner's hard rock hit from 1979, "Dirty White Boy.
Toby Keith entered the stage after, ahem, treating the crowd to some pre-show entertainment in the form of a self-promoting, self-gratifying advertisement, a five-minute film that loudly and unabashedly boasted the trace adkins concert review list of achievements, awards and accomplishments Keith has garnered throughout his career.
Record sales figures, trophies, astronomical concert gross totals.
Aren't these the songs we're more than likely going to be hearing performed within the next 90 minutes or so?
Turns out the pre-performance entertainment wasn't only a blatant reminder of how wonderful Toby Keith is; it ended up being a ruse for a glorified Ford Truck commercial, also Keith's corporate sponsor for this tour.
Keith's gargantuan stage boasted the front cab portion of a massive brand new Ford truck above the drum riser, an enormous placard with the Ford logo emblazoned on it across the tall drum riser and the other half of the truck, the bed portion, in front of the riser from which Keith delivered his opening number, "Big Dog Daddy".
OK, OK we get it Toby.
Again, Keith's massive band also had plenty of rock 'n' roll tendencies and his mega stage had more in common with a Motley Crue stage than that of any traditional country act.
Again, I have to admit, these are the folks that still sell mountains of records amidst the vast wasteland that record sales have been reduced to.
These are the guys that can still attract concertgoers by the tens of thousands while so many tours are being canceled due to lagging ticket sales and little to no interest trace adkins concert review the part of the fans.
And that alone is an accomplishment worth congratulating in these sluggish times.
So who am I to criticize these modern day "rock stars" who have the drawing power that would make most conventional "rock stars" green with envy?
Twisted Sister's 1984 anthem "I Wanna Rock" is more appropriate a theme song for this sect of modern country dudes than Click here 1969 classic "Okie From Muskogee" but I guess that's a more meaningful credo among this new trace adkins concert review of entertainers who cut their teeth and grew up listening to rock music.
A warning: there are new sheriffs in town.
Trace Adkins ~" King Of The Road"
Perhaps it's his height. Maybe it's his deep voice. It could also be his stoic nature. Whatever it is, Trace Adkins comes across as a pretty serious, straight-shooting, traditional guy. And at Country Jam 2016, that was what the crowd got: An hour-plus of straight-down-the-middle country tunes, with Adkins ...
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